Hey folks. For anyone still reading this blog, I have decided to postpone it until further notice. I knew taking the time to watch a film every day would be taxing and time consuming, but with uni work taking priority, I can't carry on right now. I'm sorry for all the loyal peeps who have been with me since day one, but I need to prioritise, and right now, that's uni.
Check back every now and again as I might put up occasional reviews, but everyday is a definite no-no.
Adios for now.
ThreeSixtyFiveFilms
Three hundred and sixty five days. Three hundred and sixty five films.
Monday, 4 February 2013
Wednesday, 30 January 2013
January 30th - Population 436 (18?)
Gotta love these straight-to-video
films. No really. This was actually pretty darn good.
I'll give you 1 guess as to what Pop.
436 is about. Yep, you got it. A small, out of town town's population
is 436 and never changes. NEVER!
Steve Kady (Jeremy Sisto) is sent to
investigate why the town's population hasn't changed for the past
century and slowly discovers its gruesome secret. If anyone stays
overnight, they become 'one of us' and someone has to 'disappear' to
keep the numbers right. They do this by holding a summer fayre
ordeal, with the 'host' being hanged as the main attraction. The
story isn't anything amazing, it's your usual deep south town that
keeps to itself, so the sets aren't anything big and clever; the cast
are pretty convincing, even with having to switch between being
nicey-nicey and eerily suspicious; and the scripting doesn't make
anything sound forced. The biggest surprise for me was Deputy Bobby
Caine. After only a few lines he became a very sincere and likeable
character, and by the end of the movie, my favourite. But something
kept making me wonder who he was. He seemed familiar, so after I'd
finished watching I head over to IMDB to check him out. It turns out
that he's none other than FRED DURST! Most singers that turn to
acting can't quite hack it, but this was different. He was able to
give the emotional range needed to pull it off that others lack. I'm
not saying that he should become a full-time actor, but he should
give the big screen a try, especially if his performance here is
anything to go by.
The ending came as a shock to me,
though looking back, I could have figured it out if I had played
detective and analysed the movie instead of enjoying it. There is an
alternate ending that I would very much like to see, but can't find
it anywhere. So if anyone knows of it, let me know!
A movie that shows that not all
staight-to-video releases are bad. - 4 tow trucks out of 5
January 29th - Snow White and the Huntsman
If you don't know the story of Snow
White, get out.
That's right.
You.
Go.
I kid, I kid. Y'all can stay. But if
you don't know about Snow White, I recommend you find a copy of
Grimm's Fairy Tales and brush up on your knowledge pretty sharpish.
I very much enjoy re-imaginings of
children’s fairy tales. The SyFy adaptation Alice, is especially
worth watching, but maybe I'll save that for another day. This
particular take on Snow White isn't that bad, but at the same time,
it isn't the best. I guess I'll moan about it a little first, and
then make up for it with what I enjoyed.
So. 8 Dwarves? If they were trying to
distance themselves from the original by the Brothers Grimm, why
this? In fact, if you are trying to distance yourself from an
extremely well known tale, why even copy it at all? Anyway, why 8
dwarves? It served no purpose in the film to have an extra in the
group, so why not stick to 7? Next, Kristen Stewart. I'm not going to
comment on her acting skills as they are already quite controversial,
but I will ask, why her? I would have thought the role of Snow White
would have gone to someone like Lily Cole (who got cast as generic
prisoner number 3) who doesn't look herp-a-derp when she smiles. This
coupled with the constant crying whenever Stewart was on screen,
leads me to think they could have done much better with the cast
list. Finally, the whole film. This sounds bigger than it actually
is, so don't fret. I couldn’t' really tell what I was was supposed
to be thinking/feeling while watching. There wasn't much emotional
attachment to the characters, so I can't say I was rooting for anyone
to claim victory/survive. In addition, the film felt kind of flat,
like a motorway that you've been driving on for 2 hours. There were
no major action scenes, nothing to make you jump, or become excited
about. This isn't to say the plot was lacking, just that I like to
have my brain working while watching instead of sitting there, well,
just sitting there I guess.
Now for good things!
8 dwarves! Yeah yeah, I know I've just
slated it, but why not 8 dwarves? There's nothing stopping the
writers adding extra characters into the mix. Like I said earlier,
this is a re-imagining, not a replication. If it was exactly the
same, nobody would watch it. Well, except for you. Yeah, you who
doesn't know who the Brothers Grimm are. Speaking of the Brothers,
what does Snow White do in their story after she comes back from the
dead? Does she don mail and armour and take the fight to the evil
Queen? No? Well she does here! Kick-ass princesses have become a
mainstay in current-day media, and this is no different. Once again,
this is a turn from the original that makes it worth watching as it
provides a different view from the 'helpless damsel gets rescued and
lives happily ever after'. Bob Hoskins, Ray Winstone and Nick Frost
as dwarves? Yes please. Although I do think that using CGI to change
their appearance is a bit off, especially when there are plenty of
actors out there that don't need computers to look 4'10”.
A children’s story not for children,
but also not for adults. - 2 and a half apples out of 5
Tuesday, 29 January 2013
January 26/27/28 - Cube Trilogy
Apologies for no weekend upload. I've been a little busy the past few days, but have a trilogy to make up for it!
The story of all 3 Cube films are
similar in that a group of people are trapped inside a hypercube –
think of a Rubik’s Cube where the segments move around through the
X,Y and Z axis instead of rotating in a pre-determined order – and
try to escape. The first two follow this pattern with one escapee,
and the third also gives us a view from behind the scenes, much how
Cabin in the Woods does, watching the 'brains' behind the operations.
Cube
Apart from the Ving Rhames impressions
and unexplainable outbursts of anger, solid acting all round. There
isn't really much 'horror' here, focussing more on the psychological
aspect and how the 6 deal with being potentially trapped forever.
Definitely the best of the trio, even with a shorter shooting time
and what looked like a smaller budget for effects. Even though the
entire film was filmed in the same 'cell', the coloured panels did
their job at creating the illusion of multiple rooms. Even with a
story so simple – here's some people trying to escape a crazy maze
– Cube manages to engage you for the whole 90 minutes.
3/5
Cube 2 – Hypercube
The same story as it's predecessor, but
this time with a little more, and also a little less, explanation. In
the first Cube, we learn that each individual is in there for a
reason. In Cube 2, we learn that the individuals all have ties to the
company IZON which seems to be the name behind the Cube's making. We
still have no idea WHY there are people in the Cube though. Number 2
is more hi-tech and sci-fi, which is noticeable in the white panels
compared to the colours in number 1, the advanced traps and the fact
that the cells have differentials in their time stream. One moment
you could be moving slowly, and the next, faster than Road Runner.
Parallel universes are a tricky subject to navigate and this wasn't
any exception. There are plenty of questions that don't add up with
the time differences and such, but we let that slide I guess.
2.5/5
Cube Zero
The final and also the first. Cube zero
is a prequel to Cube only in the sense that it is set beforehand
chronologically. It does tie in with the first by referencing it a
few times, but the presence of IZON isn't as prevalent in the final
two films. A fine shake-up instead of following the same pattern of
the others, but once again, certain questions are still left
unanswered after seeing the whole trilogy. One thing that did annoy
me was the twist ending. Yes there's a twist ending –
congratulations on complaining about spoilers for a film that not
only went straight to video, but did so 9 years ago. We see one
character 'turned' into a – how can I put this without sounding
insulting... The same way IMDB did – disabled man. I did the whole
“OOOOOOOHHHHHHHH” thing when Wynn was found by the others, but
didn't appreciate the scene was exactly the same, word for word, even
down to where the characters were standing, as the first film.
3/5
While disappointed that the finale
wasn't called Cube cubed, a pretty good set of films. Watchable in
one sitting or individually.
Thursday, 24 January 2013
January 24th - Colin (18)
£40
Colin isn't your traditional zombie
movie. It doesn't tell a tale of how the world got infected, nor does
it chronicle the escape of a group of survivors. It follows the
titular character, Colin. That's it. It literally follows him.
There's no heartfelt story or gritty tale, we just see what happens
to Colin after he gets bitten. You wanna know what happens to him?
SPOILER
He goes for a walk. That pretty much
sums it up.
I can safely say I've never seen or
even heard of a zombie flick picking a single zombie out of hundreds
and following him around for 90 minutes doing mundane things such as
eating peoples noses or getting your face blown off. There are so
many things I want to say about this film, but I'm not sure where to
start, or even how to say it.
I guess I'll start with the actors.
There are a lot of unknowns here. This is because they worked for
free, so no A-Listers will be appearing. To me, most of the cast
seemed quite amateur. Whether this was because they weren't
professional actors, I don't know. What I do know is that in some
strange way, it worked. It gave the film an authentic feel that you
don't see very often due to heavily edited scripts and decades of
acting school. There was a gritty air about it that reflected on how
I believe Joe Public would react in the same situation. None of this
'instantly an expert with a weapon I just found', but timid swipes
with pots or umbrellas.
SFX. For such a low budget, I think the
special effects paid off. Even with the dodgy lighting, it didn't
look obviously fake, and at times, convincing.
Shaky-cam. The documentary style of
filming added another interesting element, once again solidifying the
feel of the 'normal'.
Story. Although you could argue that
following Colin on his shamble-tastic adventure IS the story, I found
it a little boring as there was no real set up to what the film was
about. I kept wondering when the action would kick in or when
something, ANYTHING, would happen.
The over-stayed welcome. There were a
few scenes that played out for far too long. There is a scene about
half way in that shows a group of people stuck in a house with
makeshift weapons defending themselves from hordes of the undead. For
5 whole minutes. That's right, for 300 whole seconds, we are
presented with nothing but screaming and moaning while the same
repetitive motions are played out on screen.
And finally, Colin. Our hero. When he
turns, he still is very... human-like. He has human-like qualities.
We see quizzical looks on his face, he recognizes things, which
brings up the question – do zombies remember their past lives?
That's a question for another time though. The way Alastair Kirton
played him, it was almost like he had reverted the character back to
a baby, seeing everything for the first time again. One other thing I
noticed, and this could be applied to all the zombies I guess, was
how animalistic they were. There were more roars and snarls than
groans, and there was anger showing more so than the urge to feed.
£40. That's how much it cost to make
the entire film. £40.
I don't think this would appeal to the
'Hollywood Undead', but to more of an indie film school. 2 and a half
road signs out of 5
Wednesday, 23 January 2013
January 23rd - Bernie
Part movie, part documentary, Bernie is
the story of Bernie Tiede, a Texan funeral director, and how it
changes when he meets Marjorie Nugent, the widow of a recently
deceased local man.
What first struck me was the casting of
Jack Black as the titular character, Bernie. When you see JB in a
movie, you automatically think there will be shenanigans, or at least
some childish humour. I sat there, waiting.
.
.
.
Waiting.
.
.
.
Waiting some more. Nothing. Yeah, there
was the obligatory JB playing JB, but this was much, much different.
It became clearer why after I had finished watching, but up until
then, it seemed quite dull and lacking in energy. The film's schtick,
was that the interlaced interviews are from real townsfolk who new
the real Bernie Tiede, before he ended up in prison. This was a very
clever idea that was pulled off well as I couldn't tell that they
weren't actors until I read about it in the film's trivia section. As
I knew nothing about this title until watching it, I was unaware that
he kills Marjorie until the moment in question. I had a theory that
something happens to him from the way he was referred to in the past
tense occasionally, but I thought that maybe he had died, or the
interviewees were all 'patients' of his that had passed on.
The film itself wasn't at all boring,
but it wasn't able to hold my concentration for the full 104 minutes,
I paused it once or twice to watch youtube videos or listen to
classical music. You know, the kind of things you do when you're
looking for a distraction. It's all personal taste, but the pace was
a little slow for me as it really came all on one level, not speeding
up and getting exciting, or slowing you down to let you think. It was
like a long, flat line across the middle of the page. Like I said,
with wacky old Jables as the lead, I expected there to be at least 1
hi-jinks happening, maybe even 4 whole hi-jinks if we were lucky, so
when a grand total of zero hi-jinks happened, I felt a little let
down. This might have been part of the reason why I didn't enjoy it
as much as others. I can understand that as a... well... not exactly
a mockumentary, but something similar I guess, it was trying to
imitate life in a small Texan town rather than Hollywood action, but
it needed something to keep me hanging on. As it stands, I felt like
I was watching Big Brother when they
are just sat on the couch doing nothing. I don't mean to keep slating
the film, but I found it hard to pull out any exciting scenes or
pieces of acting I really enjoyed. The actual actors, not the
interviewees, seemed to fit into the roles well enough, but once
again, nothing stellar. Aside from JB being cast where he shouldn't,
the only part I disagreed with was that of Marjorie's accountant,
Lloyd Hornbuckle. He seemed as though he had come straight from an
episode of Ugly Betty.
I
started writing this with such a positive air, but it seems to have
dissolved into moaning and whining. I really appreciated the new*
direction this film took, with the cutaways to the residents and felt
that it could have been a four-star production, but there were a few
too may things missing.
A good
effort, executed poorly. - 2 and a half coffins out of 5
*new
to me. It may have been done before, but I haven't seen it yet.
Tuesday, 22 January 2013
January 22nd - Tenacious D in The Pick of Destiny
If you haven't seen this yet, go and
watch it now. Go on. I'll wait.
.
.
.
.
.
.
.
.
Back? Good. So how was it? Did it blow
your headbrain? YOU'RE DAMN RIGHT IT DID!
Ok. So I might be a little biased to
this film. Everyone has their opinions. It just so happens that yours
is wrong and mine is right. TDiTPoD (such a terrible acronym) isn't
so much a film as a journey. A journey that everyone should make.
It's like a pilgrimage.
The Pick of Destiny is a pilgrimage.
We follow JB (Jack Black) on his
journey to become a rock legend, where he meets KG (Kyle Gass) and
they form Tenacious D. When they hear of a mythical guitar pick, they
travel to a rock museum to try and find it. But you know the story,
don't you? Of course you know it. I'm not sure whether to class this
as a musical, or if it is just something else entirely. There are
numerous numbers throughout the film, courtesy of Tenacious D, so I
guess it's kind of like a 90 minute music video. And a damn good one
at that.
With JB and KG playing themselves, it
makes it a whole lot easier to understand the characters, even if it
is set in a fictional setting. They don't 'act' per se, but just.....
happen. That's the best way I can describe it. They just are.
The humour of the film comes mainly from the songs, something
Tenacious D are famous for, with a few others things thrown in for
balance. There is a story, but if you're a fan of The D, like myself,
you'll be sitting there waiting for the music to start again as soon
as it finishes.
The
film flows very well, better than some box-office big names. There
aren't really any moments when you are left confused, wondering what
just happened or why, and it keeps pace throughout, making it easy to
follow. The only 'break' is from the character played by Ben Stiller.
Now, I love me some Stiller, but I don't think he was suited for this
role. He has a very unique way of playing his characters, a way that
you know it's him, even if he is covered in makeup or prosthetics,
and I think that it wasn't in key with the rest of the film. Maybe he
was too intense, and the 'guitar guy' needed to be slowed down a
little, I don't know, but he didn't fit. Think of it as pushing a
square peg into a round hole. It might go through, but it isn't the
right piece to be perfect. Other than that, the film as a whole felt
like custard. I know that might sound weird, but hear me out. It's
not as smooth and flowy as water, but it's still smooth, just with a
few bumps. Ok. That made more sense in my head.
Basically,
this film is great and you should watch it. If for nothing other than
Dave Grohl dressed as the Devil. Yeah. He's the Devil. - 4 picks out
of 5
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