Hey folks. For anyone still reading this blog, I have decided to postpone it until further notice. I knew taking the time to watch a film every day would be taxing and time consuming, but with uni work taking priority, I can't carry on right now. I'm sorry for all the loyal peeps who have been with me since day one, but I need to prioritise, and right now, that's uni.
Check back every now and again as I might put up occasional reviews, but everyday is a definite no-no.
Adios for now.
Monday, 4 February 2013
Wednesday, 30 January 2013
January 30th - Population 436 (18?)
Gotta love these straight-to-video
films. No really. This was actually pretty darn good.
I'll give you 1 guess as to what Pop.
436 is about. Yep, you got it. A small, out of town town's population
is 436 and never changes. NEVER!
Steve Kady (Jeremy Sisto) is sent to
investigate why the town's population hasn't changed for the past
century and slowly discovers its gruesome secret. If anyone stays
overnight, they become 'one of us' and someone has to 'disappear' to
keep the numbers right. They do this by holding a summer fayre
ordeal, with the 'host' being hanged as the main attraction. The
story isn't anything amazing, it's your usual deep south town that
keeps to itself, so the sets aren't anything big and clever; the cast
are pretty convincing, even with having to switch between being
nicey-nicey and eerily suspicious; and the scripting doesn't make
anything sound forced. The biggest surprise for me was Deputy Bobby
Caine. After only a few lines he became a very sincere and likeable
character, and by the end of the movie, my favourite. But something
kept making me wonder who he was. He seemed familiar, so after I'd
finished watching I head over to IMDB to check him out. It turns out
that he's none other than FRED DURST! Most singers that turn to
acting can't quite hack it, but this was different. He was able to
give the emotional range needed to pull it off that others lack. I'm
not saying that he should become a full-time actor, but he should
give the big screen a try, especially if his performance here is
anything to go by.
The ending came as a shock to me,
though looking back, I could have figured it out if I had played
detective and analysed the movie instead of enjoying it. There is an
alternate ending that I would very much like to see, but can't find
it anywhere. So if anyone knows of it, let me know!
A movie that shows that not all
staight-to-video releases are bad. - 4 tow trucks out of 5
January 29th - Snow White and the Huntsman
If you don't know the story of Snow
White, get out.
That's right.
You.
Go.
I kid, I kid. Y'all can stay. But if
you don't know about Snow White, I recommend you find a copy of
Grimm's Fairy Tales and brush up on your knowledge pretty sharpish.
I very much enjoy re-imaginings of
children’s fairy tales. The SyFy adaptation Alice, is especially
worth watching, but maybe I'll save that for another day. This
particular take on Snow White isn't that bad, but at the same time,
it isn't the best. I guess I'll moan about it a little first, and
then make up for it with what I enjoyed.
So. 8 Dwarves? If they were trying to
distance themselves from the original by the Brothers Grimm, why
this? In fact, if you are trying to distance yourself from an
extremely well known tale, why even copy it at all? Anyway, why 8
dwarves? It served no purpose in the film to have an extra in the
group, so why not stick to 7? Next, Kristen Stewart. I'm not going to
comment on her acting skills as they are already quite controversial,
but I will ask, why her? I would have thought the role of Snow White
would have gone to someone like Lily Cole (who got cast as generic
prisoner number 3) who doesn't look herp-a-derp when she smiles. This
coupled with the constant crying whenever Stewart was on screen,
leads me to think they could have done much better with the cast
list. Finally, the whole film. This sounds bigger than it actually
is, so don't fret. I couldn’t' really tell what I was was supposed
to be thinking/feeling while watching. There wasn't much emotional
attachment to the characters, so I can't say I was rooting for anyone
to claim victory/survive. In addition, the film felt kind of flat,
like a motorway that you've been driving on for 2 hours. There were
no major action scenes, nothing to make you jump, or become excited
about. This isn't to say the plot was lacking, just that I like to
have my brain working while watching instead of sitting there, well,
just sitting there I guess.
Now for good things!
8 dwarves! Yeah yeah, I know I've just
slated it, but why not 8 dwarves? There's nothing stopping the
writers adding extra characters into the mix. Like I said earlier,
this is a re-imagining, not a replication. If it was exactly the
same, nobody would watch it. Well, except for you. Yeah, you who
doesn't know who the Brothers Grimm are. Speaking of the Brothers,
what does Snow White do in their story after she comes back from the
dead? Does she don mail and armour and take the fight to the evil
Queen? No? Well she does here! Kick-ass princesses have become a
mainstay in current-day media, and this is no different. Once again,
this is a turn from the original that makes it worth watching as it
provides a different view from the 'helpless damsel gets rescued and
lives happily ever after'. Bob Hoskins, Ray Winstone and Nick Frost
as dwarves? Yes please. Although I do think that using CGI to change
their appearance is a bit off, especially when there are plenty of
actors out there that don't need computers to look 4'10”.
A children’s story not for children,
but also not for adults. - 2 and a half apples out of 5
Tuesday, 29 January 2013
January 26/27/28 - Cube Trilogy
Apologies for no weekend upload. I've been a little busy the past few days, but have a trilogy to make up for it!
The story of all 3 Cube films are
similar in that a group of people are trapped inside a hypercube –
think of a Rubik’s Cube where the segments move around through the
X,Y and Z axis instead of rotating in a pre-determined order – and
try to escape. The first two follow this pattern with one escapee,
and the third also gives us a view from behind the scenes, much how
Cabin in the Woods does, watching the 'brains' behind the operations.
Cube
Apart from the Ving Rhames impressions
and unexplainable outbursts of anger, solid acting all round. There
isn't really much 'horror' here, focussing more on the psychological
aspect and how the 6 deal with being potentially trapped forever.
Definitely the best of the trio, even with a shorter shooting time
and what looked like a smaller budget for effects. Even though the
entire film was filmed in the same 'cell', the coloured panels did
their job at creating the illusion of multiple rooms. Even with a
story so simple – here's some people trying to escape a crazy maze
– Cube manages to engage you for the whole 90 minutes.
3/5
Cube 2 – Hypercube
The same story as it's predecessor, but
this time with a little more, and also a little less, explanation. In
the first Cube, we learn that each individual is in there for a
reason. In Cube 2, we learn that the individuals all have ties to the
company IZON which seems to be the name behind the Cube's making. We
still have no idea WHY there are people in the Cube though. Number 2
is more hi-tech and sci-fi, which is noticeable in the white panels
compared to the colours in number 1, the advanced traps and the fact
that the cells have differentials in their time stream. One moment
you could be moving slowly, and the next, faster than Road Runner.
Parallel universes are a tricky subject to navigate and this wasn't
any exception. There are plenty of questions that don't add up with
the time differences and such, but we let that slide I guess.
2.5/5
Cube Zero
The final and also the first. Cube zero
is a prequel to Cube only in the sense that it is set beforehand
chronologically. It does tie in with the first by referencing it a
few times, but the presence of IZON isn't as prevalent in the final
two films. A fine shake-up instead of following the same pattern of
the others, but once again, certain questions are still left
unanswered after seeing the whole trilogy. One thing that did annoy
me was the twist ending. Yes there's a twist ending –
congratulations on complaining about spoilers for a film that not
only went straight to video, but did so 9 years ago. We see one
character 'turned' into a – how can I put this without sounding
insulting... The same way IMDB did – disabled man. I did the whole
“OOOOOOOHHHHHHHH” thing when Wynn was found by the others, but
didn't appreciate the scene was exactly the same, word for word, even
down to where the characters were standing, as the first film.
3/5
While disappointed that the finale
wasn't called Cube cubed, a pretty good set of films. Watchable in
one sitting or individually.
Thursday, 24 January 2013
January 24th - Colin (18)
£40
Colin isn't your traditional zombie
movie. It doesn't tell a tale of how the world got infected, nor does
it chronicle the escape of a group of survivors. It follows the
titular character, Colin. That's it. It literally follows him.
There's no heartfelt story or gritty tale, we just see what happens
to Colin after he gets bitten. You wanna know what happens to him?
SPOILER
He goes for a walk. That pretty much
sums it up.
I can safely say I've never seen or
even heard of a zombie flick picking a single zombie out of hundreds
and following him around for 90 minutes doing mundane things such as
eating peoples noses or getting your face blown off. There are so
many things I want to say about this film, but I'm not sure where to
start, or even how to say it.
I guess I'll start with the actors.
There are a lot of unknowns here. This is because they worked for
free, so no A-Listers will be appearing. To me, most of the cast
seemed quite amateur. Whether this was because they weren't
professional actors, I don't know. What I do know is that in some
strange way, it worked. It gave the film an authentic feel that you
don't see very often due to heavily edited scripts and decades of
acting school. There was a gritty air about it that reflected on how
I believe Joe Public would react in the same situation. None of this
'instantly an expert with a weapon I just found', but timid swipes
with pots or umbrellas.
SFX. For such a low budget, I think the
special effects paid off. Even with the dodgy lighting, it didn't
look obviously fake, and at times, convincing.
Shaky-cam. The documentary style of
filming added another interesting element, once again solidifying the
feel of the 'normal'.
Story. Although you could argue that
following Colin on his shamble-tastic adventure IS the story, I found
it a little boring as there was no real set up to what the film was
about. I kept wondering when the action would kick in or when
something, ANYTHING, would happen.
The over-stayed welcome. There were a
few scenes that played out for far too long. There is a scene about
half way in that shows a group of people stuck in a house with
makeshift weapons defending themselves from hordes of the undead. For
5 whole minutes. That's right, for 300 whole seconds, we are
presented with nothing but screaming and moaning while the same
repetitive motions are played out on screen.
And finally, Colin. Our hero. When he
turns, he still is very... human-like. He has human-like qualities.
We see quizzical looks on his face, he recognizes things, which
brings up the question – do zombies remember their past lives?
That's a question for another time though. The way Alastair Kirton
played him, it was almost like he had reverted the character back to
a baby, seeing everything for the first time again. One other thing I
noticed, and this could be applied to all the zombies I guess, was
how animalistic they were. There were more roars and snarls than
groans, and there was anger showing more so than the urge to feed.
£40. That's how much it cost to make
the entire film. £40.
I don't think this would appeal to the
'Hollywood Undead', but to more of an indie film school. 2 and a half
road signs out of 5
Wednesday, 23 January 2013
January 23rd - Bernie
Part movie, part documentary, Bernie is
the story of Bernie Tiede, a Texan funeral director, and how it
changes when he meets Marjorie Nugent, the widow of a recently
deceased local man.
What first struck me was the casting of
Jack Black as the titular character, Bernie. When you see JB in a
movie, you automatically think there will be shenanigans, or at least
some childish humour. I sat there, waiting.
.
.
.
Waiting.
.
.
.
Waiting some more. Nothing. Yeah, there
was the obligatory JB playing JB, but this was much, much different.
It became clearer why after I had finished watching, but up until
then, it seemed quite dull and lacking in energy. The film's schtick,
was that the interlaced interviews are from real townsfolk who new
the real Bernie Tiede, before he ended up in prison. This was a very
clever idea that was pulled off well as I couldn't tell that they
weren't actors until I read about it in the film's trivia section. As
I knew nothing about this title until watching it, I was unaware that
he kills Marjorie until the moment in question. I had a theory that
something happens to him from the way he was referred to in the past
tense occasionally, but I thought that maybe he had died, or the
interviewees were all 'patients' of his that had passed on.
The film itself wasn't at all boring,
but it wasn't able to hold my concentration for the full 104 minutes,
I paused it once or twice to watch youtube videos or listen to
classical music. You know, the kind of things you do when you're
looking for a distraction. It's all personal taste, but the pace was
a little slow for me as it really came all on one level, not speeding
up and getting exciting, or slowing you down to let you think. It was
like a long, flat line across the middle of the page. Like I said,
with wacky old Jables as the lead, I expected there to be at least 1
hi-jinks happening, maybe even 4 whole hi-jinks if we were lucky, so
when a grand total of zero hi-jinks happened, I felt a little let
down. This might have been part of the reason why I didn't enjoy it
as much as others. I can understand that as a... well... not exactly
a mockumentary, but something similar I guess, it was trying to
imitate life in a small Texan town rather than Hollywood action, but
it needed something to keep me hanging on. As it stands, I felt like
I was watching Big Brother when they
are just sat on the couch doing nothing. I don't mean to keep slating
the film, but I found it hard to pull out any exciting scenes or
pieces of acting I really enjoyed. The actual actors, not the
interviewees, seemed to fit into the roles well enough, but once
again, nothing stellar. Aside from JB being cast where he shouldn't,
the only part I disagreed with was that of Marjorie's accountant,
Lloyd Hornbuckle. He seemed as though he had come straight from an
episode of Ugly Betty.
I
started writing this with such a positive air, but it seems to have
dissolved into moaning and whining. I really appreciated the new*
direction this film took, with the cutaways to the residents and felt
that it could have been a four-star production, but there were a few
too may things missing.
A good
effort, executed poorly. - 2 and a half coffins out of 5
*new
to me. It may have been done before, but I haven't seen it yet.
Tuesday, 22 January 2013
January 22nd - Tenacious D in The Pick of Destiny
If you haven't seen this yet, go and
watch it now. Go on. I'll wait.
.
.
.
.
.
.
.
.
Back? Good. So how was it? Did it blow
your headbrain? YOU'RE DAMN RIGHT IT DID!
Ok. So I might be a little biased to
this film. Everyone has their opinions. It just so happens that yours
is wrong and mine is right. TDiTPoD (such a terrible acronym) isn't
so much a film as a journey. A journey that everyone should make.
It's like a pilgrimage.
The Pick of Destiny is a pilgrimage.
We follow JB (Jack Black) on his
journey to become a rock legend, where he meets KG (Kyle Gass) and
they form Tenacious D. When they hear of a mythical guitar pick, they
travel to a rock museum to try and find it. But you know the story,
don't you? Of course you know it. I'm not sure whether to class this
as a musical, or if it is just something else entirely. There are
numerous numbers throughout the film, courtesy of Tenacious D, so I
guess it's kind of like a 90 minute music video. And a damn good one
at that.
With JB and KG playing themselves, it
makes it a whole lot easier to understand the characters, even if it
is set in a fictional setting. They don't 'act' per se, but just.....
happen. That's the best way I can describe it. They just are.
The humour of the film comes mainly from the songs, something
Tenacious D are famous for, with a few others things thrown in for
balance. There is a story, but if you're a fan of The D, like myself,
you'll be sitting there waiting for the music to start again as soon
as it finishes.
The
film flows very well, better than some box-office big names. There
aren't really any moments when you are left confused, wondering what
just happened or why, and it keeps pace throughout, making it easy to
follow. The only 'break' is from the character played by Ben Stiller.
Now, I love me some Stiller, but I don't think he was suited for this
role. He has a very unique way of playing his characters, a way that
you know it's him, even if he is covered in makeup or prosthetics,
and I think that it wasn't in key with the rest of the film. Maybe he
was too intense, and the 'guitar guy' needed to be slowed down a
little, I don't know, but he didn't fit. Think of it as pushing a
square peg into a round hole. It might go through, but it isn't the
right piece to be perfect. Other than that, the film as a whole felt
like custard. I know that might sound weird, but hear me out. It's
not as smooth and flowy as water, but it's still smooth, just with a
few bumps. Ok. That made more sense in my head.
Basically,
this film is great and you should watch it. If for nothing other than
Dave Grohl dressed as the Devil. Yeah. He's the Devil. - 4 picks out
of 5
Monday, 21 January 2013
January 21st Hot Shots/Hot Shots Part Deux (PG/12)
Can you say DOUBLE FEATURE?!?!
Today I bring y'all what I like to
think of as Charlie Sheen's best, and one of my favourite comedies.
Hot Shots is a slapstick parody of Top Gun with Charlie Sheen playing
Charlie Sheen, I mean Topper Harley. Topper is a crack fighter pilot,
yet mentally unstable who has to save the day on a sabotaged mission.
This is definitely a film worth watching more than once as there are
so many sight gags that you will probably miss a few the first time
around. Hot Shots knows its a comedy and does nothing to try to
convince anyone otherwise. Many scenes are shot for maximum comedic
effect with the viewers laughbox in mind, often going over the top to
create an almost childish sense of humour. The fourth wall is broken
multiple times, the props are blatantly fake and the characters
written to exaggerate these 'flaws'. These flaws however are what
drives the movie. It knows there is very little seriousness and makes
no effort to create such a glamer. Anyone who knows me knows that
something as simple as a fart noise will get me giggling like a
schoolgirl, and this film plays on that majorly. The jokes and
one-liners are so simple that you don't need to understand the whole
film to find them funny, like some of the more recent flicks out
there. I could quite happily have this on in the background, drifting
in and out and still be laughing every time I tuned back in. Playing
out like a Tim Vine stand-up routine has it's benefits at times.
Looking at the cast, there are a few names that you might or might
not have expected to see. First off is Jon Cryer who you should
recognise as Charlie's brother Alan in his 'hit' sitcom, Two and a
Half Men. Cryer plays his role as Wash Out, Topper's flight buddy
extremely well here, creating an emotional bond with the audience
that lets the character seem real. Cary Elwes takes a break from
being the Dread Pirate Roberts of The Princess Bride fame to
become Topper's rival, Kent. Lloyd
Bridges appears as the dopey but somehow still in position Admiral
Benson, a role that is strangely similar to George Gaynes' Commandant
Lassard from the Police Academy series, a character that is brilliant
for many reasons unknown to me. We also see Ryan Stiles in his big
screen debut as pilot 'Mailman' Farnham. The show stealer, however
was most definitely Valeria Golino as Ramada Thompson, Topper's love
interest. Even though I have said the film makes no qualms about its
seriousness, Golino just makes her scenes 'real'. It's all in the
little movements, a dip of the head, the slight shift in posture,
they all provide a realism that breaks away from the fabricated world
without disrupting it.
In
Part Deux, Sheen
returns as Harley who has been living in a monastery since the
original ended, and is returned to service to lead a rescue team to
Iraq to rescue hostages from Desert Storm and defeat Saddam Hussein.
There is no flying fighter jets this time, so instead Rambo gets the
parody treatment. Only a handful of the main cast from the first film
return (Topper, Admiral Benson, Ramada) but they are joined by Ryan
Stiles again, this time taking the name of commando Rabinowitz; and
Rowan Atkinson, playing Rowan Atkinson, er... I mean Ramada's
husband, Dexter. A surprisingly good performance from Jerry Haleva as
a camp Saddam Hussein rounds out a great sequel.
Both
movies are definitely worth an evening in for, as they are
brilliantly simple and that simplicity is the key to making them
watchable. I wholly enjoyed the childish humour, bad jokes, breaking
the fourth wall and numerous sight gags and am tempted to spend the
next week watching the Police Academy series as it reminded me how
well comedy can be written. - 4 packs of Tiger Blood out of 5
Sunday, 20 January 2013
January 20th - Hu Hao Shuang Xing (Tiger and Crane Fists)
January
20th - Hu
Hao Shuang Xing (Tiger and Crane Fists)
After
watching Kung Pow, I just had to see the inspiration. Tiger and Crane
Fists starts off with a completely different scene to Oedekerk's
version, which threw me off right from the get go. I assumed the
storylines would be roughly the same, and I suppose they are to an
extent, but Kung Pows is a lot easier to follow and understand.
Having watched Kung Pow prior to this, I can only really see it
as opposed to the original when I watch. Even the dubbing sounds
similar. There's not much I can say about Tiger and Crane Fists that
I haven't praised Kung Pow for already, so I reckon you'd have a
better time watching that instead.
Unintentionally
funny, but not as good as Oedekerk's adaptation. - 2.5 tigers out of
5 cranes
Saturday, 19 January 2013
January 19th - Kung Pow: Enter the Fist
Now this is more like it!
There were just so many moments in this
film where I was almost dying with laughter, from the gopher
nun-chucks to the intermission song, I was smiling the whole way
through.
Kung Pow is the story of The Chosen
One's (Steve Oederkerk) journey to avenge the death of his parents at
the hands of Master Pain. Isn't that what most martial arts movies
are about? What you might not know is that Kung Pow is unique (to my
knowledge) in that it is part archived footage of another movie (Hu
He Shuang Xing/Tiger and Crane Fists) with the audio all dubbed by
Oederkerk in addition to some green-screening. I won't say that this
technique is flawless, but it was very well done, with some scenes
looking flawlessly edited. The CGI is better than some films too.
It's not very often you get called on to create a kung-fu cow, but it
happened, and boy did it kung my fu.
Wow. That sounded wrong.
With Oederkerk doing all the dubbing,
there are bound to be a few over the top voices, and this is
confirmed as soon as Miss Piggy starts squealing. It doesn't stop
there though. He even gives the background characters voices. See
that group of kids running down the street? They're singing a song
about how they are children. I didn't say they were interesting
voices, did I? We do get a scene of two guys with their mouths
completely shut singing while carrying stuff though. Because they're
ventriloquists! How ingenious is that? We get the obligatory
'mouth-moves-for-ages-and-only-says-one-word' line, and even the dog
gets dubbed. For barking... With copious amounts of video game
sound-bites and the line, “killing is badong”, I'll leave you
with this thought.
Did that cow just piledrive him?
I don't care what anyone says, I loved
this film and highly recommend anyone who enjoys old martial arts
films to watch this. Too bad there's no sequel. - 4 gophers out of 5
Oh. And there are aliens in it. They're French. Deal with it.
Friday, 18 January 2013
January 18th - Behemoth
Behemoth
- “any creature or thing of monstrous size or power”
The thing IN the film, sure. The film
itself, perhaps not.
Behemoth is a TV film that premiered on
SyFy in 2011. The same year and channel that bought us, well, not
much. I guess 2011 wasn't their year for premieres. Generally
speaking, I'm a big fan of what SyFy airs, but this wasn't their best
effort.
Behemoth is all about an ancient
creature that was laying dormant under the Earth's surface but for an
unknown reason woke up and decided to cause panic in a small town at
the foot of a dormant volcano by creating earthquakes, tremors and
the like.
Throughout the film, we are granted
with a simple storyline (the volcano looks like it's about to blow!
UT OH!), some glaringly bad special effects, a few instances of
overacting, and plenty of exaggerated screams. Personally, I think
this would have been better suited to a series (or even mini-series),
as there was plenty to expand on – the CO2 clouds, the submerged
diner, the Smoking Man's theories --- Yes, the Smoking Man from the
X-Files is in this ---, some kind of explanation about the weapon. I
get that there was supposed to be a sense of urgency, but what I was
watching was far too laid back for something that could destroy the
world at any given moment. I wasn't drawn in to the story, couldn’t'
relate or form a bond with any of the characters, and found I could
concentrate while doing other things. To me, these are the things you
need to get right for a successful film. There was a good idea behind
the scenes, but the execution was lackluster. Aside from the
aforementioned screaming, the acting wasn't that bad, and I expect Ed
Quinn to go on to bigger and brighter things.
Something to have on in the background
while... I don't know... doing the ironing or something. 2 volcanoes out of 5
Thursday, 17 January 2013
January 17th - Zathura (PG)
The unofficial sequel to Jumanji,
Zathura follows the same pattern that made Robin Williams' jungle
adventure so charming.
Danny (Jonah Bobo) and Walter (Josh
Hutcherson) are bickering brothers who are bored as anything when
they are left under the 'supervision' of their sister Lisa (Kristen
Stewart). Danny finds a board game called 'Zathura' and convinces
Walter to play it with him. When they discover that their house has
been transported to outer space, things start to get weird. Walter
decides that the only way home is to finish the game, so they
continue playing amidst the distractions the game throws at them.
Along the way, they meet 'the stranded astronaut' (Dax Shepard), who
helps them fend off against the lizard-like Zorgons.
I'm not going to say anything mean
about this film. Sure there were bits that didn't make sense, but
it's a kids movie, and what matters is that it is enjoyable to watch,
not how factually correct it is. So Just like Jumanji, once the boys
start to play the game, they encounter certain phenomena, mostly
dangerous and have to overcome or outlive it to proceed. These events
are exactly what I thought space travel would be like when I was a
kid, meteors, robots, lizard aliens, so I kind of reverted back to a
child whilst watching. Whilst being 12 again, I thoroughly enjoyed
the movie for what it was – a fun space adventure with nothing
pressuring me to criticize it.
Even though it was a fine waste of 2
hours, it suffered the fate of being released in the same year as Toy
Story, and also 4 years after Monsters Inc. This meant it had to
compete against the already dominating Disney/Pixar combo who have
grasped a firm handle on being the most predominant childrens/family
movie makers. Even so, Zathura manages to keep you entertained all
the way through with it's child-like charm and quirky story. Even
Kristen Stewart was on form when she gets frozen and has to be
replaced with a life-size model. Some of her best work there!
All in all, a pleasant journey back to
my childhood. - 3 spaceships out of 5
Wednesday, 16 January 2013
January 16th - Brick (15)
Um... What did I just watch?
It's kind of hard to review something
that I didn't understand, but I'll give it a go. Brendan (Joseph
Gordon-Levitt) finds the dead body of his girlfriend at the entrance
to a sewage tunnel and goes on the hunt to find out what happened to
her. Something happens and he gets involved in a drug ring.
Oh. And it's all set at a high school
with students.
For most of the film I was trying to
figure out if he was a student or a detective, and if it takes me
that long to understand what the main character’s deal is, maybe I
shouldn't be watching. Even though I was having trouble following, I
couldn't stop, no matter how much I wanted to. Maybe it was the
brass-jazz playing, or the old-school detective show voices, but
whatever it was, it drew me in. Even after reading the plot synopsis
and an FAQ on the film, I'm still a little stumped.
Do not be disheartened though. JGL was
fantastic, and the music was extremely enthralling, so give it a go
if you like crime/drama/mysteries.
I'm not entirely sure what to make of
this one. - 1 brick out of five because I had zero clue what was
going on.
Tuesday, 15 January 2013
January 15th - Hostel: Part 3 (18)
A straight-to-video threequel.
This sounds like it's going to be an
amazing film, right? Nope.
Hostel 3 follows a dude and his 3
friends on his stag weekend or something. I don't know. The film
wasn’t' that interesting so I didn't pay too much attention. We all
know what happens next. Yup. They end up as prey for the EHG. This is
the only connection to the Hostel franchise as this film takes place
in Las Vegas and doesn't have backpacking teens in it.
As the third re-enactment of the same
story, I'll keep this short. Very short.
- Not much gore
- Bad acting
- Boring
- Characters were not believable
- VERY cheesy ending
- No bubblegum boys
I guess that's what you get for not
having Eli Roth on staff.
Don't bother watching, even of you are
a fan of 1+2. - 2 crutches out of 5
Monday, 14 January 2013
January 14th - Hostel: Part 2 (18)
Meh.
If anyone has seen Cruel intentions and
it's sequel (which is actually it's prequel), you'll be seeing quite
a few similarities here. Hostel 2 is basically the same as it's
predecessor in a different place and with different characters.
Three college girls (Ugh. College kids
again) are on a trip to prague when they hear about the beautiful
relaxing spas of Slovakia. They decide to go and end up on the wrong
end of the Elite Hunting Club. Not much can be said about this film
that I haven't already said about its prequel, except that it isn't
executed as well.
What is new however, is that we get to
see the other side of the shady goings-on. Hostel 2 shows us how the
'doctors' are called in. Stuart and Todd are two brothers who bid on
the girls and win Beth and Whitney, respectively. As first time
clients, they are branded with the bloodhound tattoo as part of the
contract and called in when the girls arrive. Todd sticks a circular
saw in Whitney's head, but that doesn't quite kill her. He realises
what he has done and decides he's 'out'. Unfortunately for him, the
the part of the contract he didn't read is 'kill or be killed'.
Stuart on the other hand, tried to to rape Beth before he does the
deed, but she breaks loose and ties him up, threatening to cut off
his 'old mister' unless the EHC let her go. She tries to buy her way
out, but the club's boss lady tells her about the clause Todd
breached. So Beth snips Stuart's kerjigger and feeds it to the dogs,
letting him bleed to death. This initiates Beth as a member of the
EHC, granting her a tattoo and she is set free. The bubblegum boys
are back too, although with a smaller role, and are shown to be quite
accustomed to death. In the first movie, we see then cave in a man's
skull with a rock. In this instalment, they do not even flinch when
one of their own is shot and seem far to happy playing football with
a freshly severed head.
Another torture-porn flick with less
torture then the first, and probably less porn too. I guess if you're
on a horror marathon it would make sense to watch this straight after
the first, especially as the fate of Paxton from Hostel 1 is revealed
in the opening scene, but other than that, once again, meh.
January 13th - Hostel (18)
First off, let me recommend not
watching this if you plan to go backpacking and are prone to
paranoia/suspicious/a wimpy little baby.
Hostel is a gritty tale of how
dangerous backpacking can be.
The film follows three friends, Paxton,
Josh and Oli, on their travels backpacking around Europe. When they
get locked out of their hostel in Amsterdam because they missed
curfew they crash at a local dude's house who tells them of a hostel
in Slovakia where the women are into American men. Maybe the men will
be 'into' the women to, if you catch my drift, wink wink, nudge
nudge. On the train there, they meet a creepy German businessman who
is obviously part of the plot. When they get to the hotel and
check-in, they are told they only have semi-private rooms and will
have to share.
Enter dis-hearted looks all round.
This changes when they find out their
room-mates are semi-clothed girls who invite them to the spa. After a
night out with the girls, Oli disappears and Paxton and Josh are told
he has already checked out. When the same thing happens to Josh,
Paxton starts to get suspicious. When he finds out that they have
been taken to an abandoned building where people pay to torture and
kill travellers, he himself gets caught and 'put in the doctors
chair' so to speak. He eventually escapes when his 'doctor'
accidentally chops his own leg off with a chainsaw (who didn't see
that coming?)
Once again this is another film that
follows the horror/thriller line of 'friends go to a remote locale,
start to disappear one by one and only one of them gets out alive'.
I'm not really a fan when the same thing gets used over and over
again, but this time, I quite enjoyed it. Instead of college kids
going somewhere nobody their age would ever go (see Cabin in the Woods) and murdered by freaks, inbreds, zombies or whatever, being
tortured by normal* people is a refreshing take on the subject.
Refreshing may not be quite the right word to use here, but you know,
whatever. Also the word normal. The fact that this could (and
probably has) happen is the allure of the film. I always slight films
on their reality and authenticity, and even though there are things
that happen in Hostel that seem a little farfetched, I think that the
idea behind it was extremely solid. From the cops being paid off to
ignore what was happening to the gang of street kids, the whole flick
seemed believable and scarily possible.
As I wasn't watching something that
could blow me away in the action-packed way, I was close to being
blown away by the realness. Again, when I say realness, I'm talking
about the possibility of it happening opposed to the film itself
being true to life. That said, I was drawn in and at points, watching
with baited breath. The gore level was not up to Saw
standards, but you do see things cut off, hanging out and caved in,
so not one for the faint-hearted.
Oh yeah. Takashi Miike randomly appears in it too.
Not
something to watch as a random film, but a fine addition to a horror
library. - Three and a half fingers out of five
Sunday, 13 January 2013
Not agaiiiiiiiiin!
I know, I know. I'm doing it again. I went out today and didn't leave myself enough time to watch a film. I could try to review something I've watched already, but that's kind of a cop out.
Sooooooooooooo.
I'm going to do two again tomorrow. I promise this will be the last time I cheat like this. Pinky swear.
Peace.
Sooooooooooooo.
I'm going to do two again tomorrow. I promise this will be the last time I cheat like this. Pinky swear.
Peace.
January 12th - Sonic the Hedgehog fan film
Just in case anyone at BCS sees this,
I'm just giving my opinion of the film. I don't want you to think I'm
trying to turn people away. I love what you've done with it and would
totally buy it if there was a feature length DVD
:D
I thought I'd go for something a little
different today. Instead of a 'film', I thought I'd watch a fan film
on Youtube. At less than 19 minutes, Sonic is a lot shorter than your
regular 90-minute dealio due to obvious budget constraints, but that
doesn't mean that it is going to be bad.
This isn't the usual perception of the
Sonic universe. It's set in a semi-dystopian future, where Dr.
Robotnik has started to claim control of Mobius and is eliminating
all animal life on South Island. A group of G.U.N. (Guardian Units of
Nations) defenders are taking aim at a flying ship when they are
ambushed by buzz bombers. Outgunned, they are saved by The Blue Blur
himself, Sonic the Hedgehog. Once Robotnik finds out there is still
one Islander left, he shifts his priorities to destroying Sonic. This
is however, until he is presented with one of the Chaos Emeralds...
Aside from a few amateur looking shots
and lines, I really enjoyed this fan film. It took a twist on the
Sonic universe that I haven't seen explored yet and it worked very
well. The contrast between the well-known bright and colourful Sonic
locales and the darker, urban environment which we are given here
sets a darker tone to which I, as a fan was not displeased to see.
The story makes sense if you really think back to the original games,
which could be seen as sugar-coated for the younger audience, and not
shoehorned in or randomly thought up on the spot. The character of
Robotnik was near enough spot-on in my opinion. He looked the part
(sans the awkward-to-do-in-real-life-'tache), sounded the part, and
even created an aura that made him into the evil genius we all love
to hate. Getting Jaleel White on board to reclaim his role as the
voice of Sonic was a major thumbs up as it rekindled my fondness for
the early '90s “Adventures of Sonic the Hedgehog” cartoon.
A great idea with lots of easter eggs that I would love to see
fleshed out to 90 minutes. - 3 gold rings out of 5
Saturday, 12 January 2013
January 11th - Pitch Perfect (12A)
WARNING: SPOILERS
Me - “Isn't this just Glee the
musical?”*
Not me - “Please. Don't insult it.”
I wasn't expecting much going in to
this. It sounded as though it was going to be another generic teem
musical, but I can safely say I was wrong. Yeah, it follows the usual
'team starts to disband, starts to lose their competitions, but then
all kiss and make up and go on to win the (insert sport/activity
here) in an awesome fashion and everyone is happy' storyline, but
there's still plenty going on. The story focusses on Beca (Anna
Kendrick), an aspiring DJ who is a freshman college (Uni for all of
us here in the UK). She has no interest in joining any clubs until
she is heard singing in the shower by Chloe, a member of the all-girl
a capella group, The Bellas. She reluctantly joins, but falls in love
with Jesse, a member from their all-male rival group. We see The
Bellas get knocked out of the a cappella championship as Aubrey,
their controlling lead who is a sucker for tradition, refuses to
change up the song set that they use every year but seems to be
failing. Beca throws in a little freestyle mid-routine, much to the
dismay of Aubrey and the group. SUPER TWIST NO JUTSU! The team that
knocked them out is found to have a non-college member, so The Bellas
are invited back! Aubrey calls everyone except Beca, who still turns
up because Chloe calls her, they all have a big fight, a lot of
vomiting happens and Beca becomes their new leader. She shows her
mixing and they use that to shake up the finals and eventually win.
Never saw that coming...
Sounds like your bog-standard teem
flick, right? Well, throw Fat Amy (Rebel Wilson) in the mix and you
get something much, much different. Not quite stealing the show, so
to speak, but standing out as a major player, Wilson made the film
for me. She is obviously the comic relief, and plays it very well.
She doesn't follow the norm for a character in a film like this, and
makes chuckle-worthy comments and quips throughout, breaking up the
tension and drama. Although there is an element of student life and
Beca's relationships during the film, the main focus is most
definitely the musical numbers. The energy put into the performances
is momentous and you can tell that the guys and girls have all either
had previous dance training, or have put a lot of work in for this
title.
I wasn't disappointed at anything, but
at the same time, I wasn't blown away. The acting was solid, the
story and characters interesting, and the performances enjoyable. The
final 'battle' between The Bellas and the Treblemakers was the climax
of the film and most definitely worth the wait, with great renditions
of popular songs.
Not a guy film, but still a fun watch.
- Three and a half pitch pipes out of five
*Only after saying it, I realised that
'Glee the musical' is as redundant as saying ATM machine. Fail.
Friday, 11 January 2013
AAARRRGGGHHH!!!
Attention my loyal followers. It's 5:40am and I have no review for you! Please accept my sincere apologies. Or you know, don't. Maybe start an angry mob with torches and pitchforks and come burn my house down. Y'know. Make a day of it.
I'll be back tomorrow with not one, not three, but TWO reviews for y'all. For realsies.
Love,
Me.
P.S. I think it's about time you got a name. 'Followers' is kinda boring. It also makes me sound like a king. Which I'm OK with, but you might not be. Ideas in the comments!
I'll be back tomorrow with not one, not three, but TWO reviews for y'all. For realsies.
Love,
Me.
P.S. I think it's about time you got a name. 'Followers' is kinda boring. It also makes me sound like a king. Which I'm OK with, but you might not be. Ideas in the comments!
Thursday, 10 January 2013
January 10th - Resident Evil Retribution (15)
Picking up where the last movie left
off, and I mean RIGHT where it left off, we begin the final (?)
encounter with Alice (Milla Jovovich) in the
not-much-to-do-with-the-games-except-for-the-name film about shooting
zombie monsters in the face. I've always been a fan of the Resident
Evil films, even if they did get 6/10 across the board, and this one
is no different. As with most of the previous films, we get
introduced to a new team who assist Alice, along with one or two
characters from a previous film. This time, we get to see people from
all four of the prequels in the same place, but I'll get to that in a
bit.
The story follows what we all know, the
deadly T-Virus has infected and spread, and Alice is needed to clean
it up. However, on this occasion, it's everyones favourite
guy-in-a-trenchcoat-who-isn't-Neo, Albert Wesker who is asking for
help.
After waking up imprisoned in the Prime
Umbrella testing facility, Alice escapes with the help of Wesker and
Ada Wong, and the information that the human race is in danger of
being wiped out if she doesn't do something about it. She is directed
to meet up with a rescue squad of Leon Kennedy, Barry Burton, 2 guys
who die too early for me to remember their names and..... wait for
it..... Luther West, the dude who survived Afterlife.
Who said the black guy always dies first! Along the way we meet old
friends Rain and One from the first film, and Carlos from Apocalypse
leaving only Ashley and Rebecca needed to catch them all! (I know
there are plenty more characters in the RE universe, but I really
wanted to make a Pokémon joke, ok?) With the corrupted Jill
Valentine hot on their heels and timed explosives set to flood the
underwater complex, Alice and co. have to get out, and fast. When
they eventually escape after drowning nearly every living and
unliving body, we are treated to the most exhilarating fight scene in
the quintilogy, if that is even a thing. Alice squares off with Jill,
while Rain does what she does best, kicks some ass. After the battle
is over, our heroes make their way to the Whitehouse to meet with
'President' Wesker, who shows them the true damage of the
T-Virus.....
While
not my favourite of the five, Retribution was still
fun/exciting/enjoyable to watch. It has all the things that RE film
fans want to see: Michelle Rodriguez doing her thang, Milla Jovovich
wearing nothing but a sheet of paper and um... er... some other
stuff? Probably explosions, zombies, huge gun battles and car chases
or something. While the acting was kind of rigid in places and some
of the lines seemed forced, I still really enjoyed myself and would
happily buy this on DVD if times were not changing to a more digital
and less physical entertainment industry. Even with trying to cram as
many characters from the games as possible into 90 minutes, I'd be
happy to have this in my collection.
After
reading the reviews from IMDB, who mostly gave it 1-3/10, I'm sad to
say I'm inclined to agree with them. There were plenty of things that
were unrealistic, unneeded or corny, but to me, that is what makes
the film. If it were true to life, it would be utter poop. Not to
mention that entire premise of the franchise is something that
doesn’t even exist. Sure there were parts that weren't top notch,
but I don't care. As long as I'm immersed in the film, it's all
gravy.
One to
watch only if you're a fan of the first four. - Two umbrellas out of
5
Wednesday, 9 January 2013
January 9th - The Cottage (2008) (18)
A kidnapping gone wrong turns into a
mass murder in an abandoned cottage in the middle of nowhere in this
British black comedy horror. That is literally the entire movie
summed up in 18 words.
We open with David (Andy Serkis) and
his brother Peter (Reece Shearsmith) in a remote cottage with a girl
tied up in the boot of their car. Their hostage turns out to be
Tracey (Jennifer Ellison), the daughter of a strip club owner, Arnie.
Arnie sends his bunglingly stupid son to transport the cash, knowing
he is in on the whole thing but has him followed by two henchmen who
never really get a chance to do anything useful other than be
stereotypical asian assassins. Stuff happens, Tracey gets free taking
Peter as HER hostage and they wind up in a creepy farmhouse. While
looking for a phone, Peter opens a trapdoor in the kitchen, letting
out a mutilated farmer who goes on a rampage and kills everyone.
Well. Everyone except Peter. He gets trapped in the cellar with the
body of the farmer and a cupboard/shelves combo unit on top of the
door.
What disappointed me about this title
was the fact that nothing really happened.
Sure there was mystery, suspense, gore and a few fight scenes, but
other than that, I wasn't really captivated in the way other movies
get me. The background of the farmer could have been delved into a
little further, or perhaps the club could have been utilised a little
more. All I know was that there was definitely something missing that
held this film back from becoming pretty damn good.
I'm
pretty sure that last part is terrible grammar, but I'm sure you get
the point.
What I
did enjoy was the fact that it wasn't pretending to be an
action-packed blockbuster, or a laugh-out-loud comedy, but something
else entirely. The characters didn't seem cheesy, something some
movies fail on hard, the 'villain' was believable and the horror was
real. The fact that everyone dies in the end was another plus,
something I always appreciate in movies like this. I know cliches are
there for a reason, but the skinny blonde being the only survivor of
a zombie attack isn't very likely when the film starts off with her
in a group with muscly guys and peeps who know how to use guns. I'm
not saying that skinny blondes can't handle themselves, and not
trying to be sexist, but this is something that appears in many
films. Also, the 'tough guy' of the film, David, standing no chance
against the farmer was another welcome sight. Something else that
usually is seen in cinema is that the good guys manage to put up a
fight before going down, where in real situations, it's highly
unlikely your average Joe could win a fist fight with a 6'4”
monster who feels no pain, let alone land a punch.
All in
all, a worthwhile film only missing a few things that's worth an hour
and a half of your time. -3 ski masks out of 5
Tuesday, 8 January 2013
January 8th - Turn Me On Dammit (15? cert. unknown)
'Turn me on' is the story of Alma
(Helen Bergsholm), a 15 year old living in Skoddeheimen, Norway. In a
twist from the norm, we see the life of a sexually frustrated girl
struggling to live her life, rather than watching from a male
perspective. The film is broken up by her fantasies that range from
Artur, the boy she believes she is in love with, to practically
anyone who happens to be near her. From the offset, we see Alma on
the phone to a sex line, with her hand in her underwear doing, well,
I'm sure you can guess what [family blog blah blah blah], and realise
that we are on for a full on film with no holds barred. While at a
party, Artur pokes Alma with his old fella, but later denies it,
making Alma look the fool and ostracising her from everyone at
school.
As I don't watch a lot of Norwegian
cinema, I'm not sure if using unprofessional actors is big, but it
certainly worked this time. Doing this gave the whole film an aura of
originality, no, REALITY that wouldn't have been able to be
accomplished using big names that we are used to seeing. In her first
acting credit (according to IMDB), Bergsholm seems perfect. She isn't
known and isn't 'Hollywood beautiful' which allows her to claim the
role as her own, without the pressure of previous characters and
ideals being forced upon her. She, along with about a dozen other
main characters do a great job of making the boredom of Skoddeheimen
seem real, even though (from what I can find) it is a fictional
place. The credit must also go to the director, Jannicke Systad
Jacobsen, for using such a bleak backdrop, from the desolate, yet
frequently used bus stop to the youth centre, whose outer seating
area is reminiscent of something you'd find under a bridge.
I'm not quite sure how to describe this
film as it's not something I'm familiar with, but I what I can tell
it is that it is a solid watch. - 3 tubes of lip gloss out of 5
Monday, 7 January 2013
January 7th - Men in Black 3 (PG)
This is only going to be a short review
as I'm REALY tired. Staying up all night in an attempt to get my
sleep pattern back to normal may not have been the best idea, but
uni's back on tomorrow and I can't do with waking up an 5 hours after
I was supposed to get there.
Anywho. The film. I loved the first two
thirds of the trilogy and the cartoon wasn't too bad either. The
final instalment did not disappoint. The guys and gals in nightly
attire are back, once again defending the planet from an alien
threat. This time it's a one-armed Boglodite (Jemaine Clements of
Flight of the Conchords fame) who breaks out of a special prison on
the moon with the help of Nicole Sherzinger to take revenge on Agent
K (Tommy Lee Jones). J (Will Smith) Travels back in time to save his
partner, while also making an important discovery about his own past.
As with the previous renditions, there
are a number of famous celebs listed as being aliens or working for
the MIB which add to the surreal entertainment of the film,
solidifying it as comedy fiction. With a few new faces, but not
enough of the coffee aliens, stellar performances all around, even if
Jones' face did look like it had started to melt. Maybe Will Smith
should give him some of whatever he's having.
A great end to a great set of films. -
4 pocket watches out of 5
Sunday, 6 January 2013
January 6th - Masters of Horror: Imprint (18)
When I first watched
Ichi the Killer, I thought, How can something this disturbing be
so watchable? Even after seeing
Imprint, the answer still eludes me, trapped in the mind of Takashi
Miike. Some call him a genius, some, a mad man. I'm not sure what I
would call him, but whatever it is, it would be a deserving title.
As part
of a 13-episode anthology, Imprint starts off following Christopher
(Billy Drago), as he travels to 19th
Century Japan to find the prostiture that he fell in love with. With
no boats leaving until morning, he accepts shelter in a whore house,
where he is told of his love's passing by a disfigured prostitute and
inquires into her life. Her dark past is revealed along with the
story of Komomo, the woman he was looking for.
Immediately after
the opening scene begins, I was reminded of 'In the house, In a
Heartbeat' by John Murphy (a piece made famous by 28 days later), an
eerie instrumental that compemented the film to a great degree. As I
continued to watch, I was amazed at how clean the visuals were for a
film set over two centuries ago. I expected it to have a more gritty
setting, or at least ambiance, but the crisp visuals allowed me to
submerse myself in the story with great ease, as if I was looking
through a glass window, only a few feet from the characters. As the
story moved on, Miike's directional skills started to show. Torture
scenes, abortions and unborn babies coursing downstream are all
present, showing why this was the only film of the season to be
banned in the US TV release. When we eventually discover the real
reason and story (the prostitute had given different accounts up
until now) it started turning into a bad 80's horror flick. What I am
assuming is an anamatronic hand becomes the focus and ruins the
authentic feel, leaving me a little disapointed. Aside from that, the
only fault I really found off-putting was the casting of Drago. He
didn't have the emotional range to pull off the role he was given,
staying too wooden for what was needed. If it were not for him, I
would rate this movie higher for sure.
I applaud Miike in
his ability to create such a terrifyingly beatutiful piece. One for
Miike fans and horror/thriller aficionados alike. - 3.5 jade rings
out of 5
Saturday, 5 January 2013
January 5th - Electrick Children (15)
I found this on a list of “Best 2012
movies, you've never seen” while floating around the interwebs and
it was no lie. Not a Hollywood blockbuster in any shape or form, but
a great watch nonetheless.
The story follows Rachel, a 15 year old
Mormon who gets pregnant from listening to music. Yep. You heard me.
She got pregnant. From music. She leaves the community to find the
singer whom she believes is the father and a wacky adventure ensues.
Think Scooby Doo. You know, preppy boy, hot girl, nerd, stoner,
talking dog. Except without any of those. Well, maybe the stoner.
With a cast of Billy Zane and a dozen
other people I've never heard of, Julia Garner (Rachel) is the
stand-out star. She played the role with a childish sense of
wonderment and drew me right in, believing she was actually a Mormon
in upbringing and had never been introduced to certain things or
experiences. It's hard to act as if you have zero knowledge of a
cassette player, but for me, it was totally real.
Buuuuuuuuuuut........
FYI, there's always a but with me.
The scene after she is introduced to
the tape deck, she immediately knows how to use it. Maybe I missed
something, but that seems a little off.
But I digress. With such a small cast,
writer and director Rebecca Thomas has done an amazing job of making
the film seem busier than it actually was. The background/surrounding
area is ever changing, giving a sense of volume and movement to an
otherwise open set. While I don't usually watch dramas, this was
definitely worthwhile as it didn't really focus on the boring
day-to-day activities that some films highlight too much, but the
journey and growth of the main character. Throughout the movie, we
see her progression and change in attitude to life, ranging from
naive 'prairie girl' to a young woman who has begun to take charge of
the road ahead.
Oh yeah. Macaulay Culkin’s kid
brother is in it. Not Kieran. Rory. Bet you didn't know there was
another one.
A fine film to watch on a Sunday
afternoon. - 3 blue cassettes out of 5
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